Showing posts with label issue: 76. Show all posts
Showing posts with label issue: 76. Show all posts

Monday, December 3, 2012

ISSUE 76 - DECEMBER 4, 2012

Issue 76 is now OUT. We'll see you all in 2013!



School
Cathryn Kim - Moon Jae In: The Problematic Man
Consider what Moon Jae In's controversial education policies mean for teachers, parents--and us.

Robin Lee - Why Daewon?
A new student offers a fresh perspective to our creaky old school.

Sandra Ha - The Survival Of Expresso
BRAGGING RIGHTS! Nah, just kidding. One of our own puts the state of our school paper in context to a larger movement occurring in print media worldwide.

Sally Hahn - THIMUN
It's one of the biggest competitions of the year for Model United Nations members (affectionately referred to as MUNers), and we sent a spy delegate to give you all the details.

Lindsay Lee - Music And Passion
Seong Yong Steve Lee - Nerd  Party
Two freshmen from Byeollak reflect on their November concert.

Ju Hyun Song - Title
This sentence is an explanation of a self-referential essay about the year. This essay was written by a junior named Ju Hyun Song. This explanation was also written by a junior whose name will remain unspecified.

Culture
Daniel Da Hyun Lee - Music Manufactured
One student questions where Korea's music scene is heading.

Moses Kim - POPWATCH (December 2012)
A K-Pop dilettante (have fun looking that word up, kids) breaks down the hits of the time for all you ignorant plebes.

World
Beom Joon Baek - Why Mitt Romney Lost
BJB wraps up his US election coverage by nailing just where Mittens went wrong.

Kyung-Shin Kang - Questionable Cuisines
A food aficionado embarks on a written quest to discover real Korean cuisine.

Yehwan Choi - KBL: Their World To Our World
Are we overlooking a fantastic basketball league--in our own country? This basketball fan thinks so.

Opinion
May Lim - A Hollow Year
Daewon, Year 1 in the words of a freshman.

Dahyun Kim - Why We Shouldn't Try Too Hard (WEB EXCLUSIVE)
The most adorably grumpy junior at Daewon offers the most adorably grumpy perspective.


Short Story
Paul Kim - Dystopia
Our world may not be as far-removed from that word as we'd like to think: if I can't convince you, this tale might.

Interviews
Abby Kim, Moses Kim - Interview With A Senior
Those of you who've seen issue 75 already may have read this already, but this advice is so nice you'll want to read it twice.

Lorens Lee - Interview With The Editors-In-Chief/Assistant Editor
HI GUYS IT'S SO EXCITING TO BE HERE

Editorials/Closing Words
Abby Kim - Believe
An assistant editor finishes her junior year with a promise to herself and a piece of advice to everybody else.

Moses Kim - The First Day
A now-retired editor-in-chief tries to make sense of his two years at Daewon. (And mostly fails.)

Daphne Hyeongseo Park - The Final Words Of A Student Editor (Not An Obituary)
An editor-in-chief closes out 2012 with her not-obituary.

Cartoon - Eunjeong Cho
This. Not going to spoil this. This just has to be seen.

Sunday, December 2, 2012

Cartoon - Issue 76

By Eunjeong Cho

Why We Shouldn’t Try Too Hard

Why We Shouldn’t Try Too Hard
Dahyun Kim

I remember talking to a teacher about how I “wanted to live a life as easily as possible.” In return, he chuckled and asked me if I wanted to become a pothead.

That response was a complete distortion of the hidden meaning behind my own well intended statement. The hidden meaning inside of my statement was that I wanted to live an easy life without having to get bothered and without having to be control-freaky and picky about every single little thing. Which, if you have to look at it that way, is a mindset that might lead to the unlikely job of a pothead. But that isn’t the point.
You see, sometimes I hear from my fellow students that an upperclassman managed to get 2400 on the SAT, has a GPA of 4.0, and managed to pull of the feat of getting 5s on over ten APs. Clap. Clap. Clap. I’m not denying that this is awesome. It’s horribly awesome. I can’t imagine bringing myself to do anything like that. It just shows how much people are desperate to achieve in the short period of three years that is spent in high school. It’s incredible really, seeing how we do anything to get anything that will supposedly send us to prestigious colleges, universities, whatever. The lives that we have been living so far seem to be revolving around the idea of “success,” or what we think as of success. It’s good actually. It means that we’re really realistic. It also means that we’re really, well, trying.

Trying is a word that constantly lingers around in my mind, and it is gnawing away at my brain now that I know that I will be a senior very, very, very soon. Hello 노인정. I’m not glad to see you so quickly. So, the obvious thing for me to do, as a senior, is to try to get better grades, try to ace the remaining APs that I will take (which is more of a must-do thing), try to be a better person so that the my fellow students will write exquisite comments about my flawless character, try to do extracurricular activities that will show that I am a unique person, try to write the perfect essay so that the likeliness of me being picked by any university will increase by 3% at the most, etcetera, etcetera. Well, I’m tired already. That long list of trys is making my past two years at Daewon look pathetic, and I’m not going to deny that.

At the end of my junior year, I’ve figured out a few things about trying. Trying is good. Overdoing things isn’t. I know that most of you guys want to be perfect. Most of you believe that you will become important people who do stuff. Maybe you will. Maybe going to some IVY school or any other conspicuous school in either the U.S.A or the U.K will increase your chances of living your ideal life. In most cases, that is true. But please remember that nobody is perfect. Nobody is perfect, but everybody is unique. Trying to do something because others are doing the same thing isn’t really going to help you at all. Believe me, I’ve tried. And failed miserably. Failing after trying does wondrous things to your self confidence; it makes it nearly
nonexistent.

Just. Just don’t overdo it. But don’t under-do it either. You’ll be suspected of wanting to become a pothead too.

POPWATCH (December 2012)

POPWATCH (DECEMBER 2012)
It was a good year.
By Moses Kim




HyunA – Ice Cream
This summer, 4minute ringleader Hyuna inspired some controversy with her cover of PSY’s “Gangnam Style”: she had already developed a reputation for being something of a teenage sexpot, but her vocal style on that video took her to a whole new realm of sensuality. It’s not surprising that PSY would revisit her in the music video for “Ice Cream”, either, seeing as how both have made careers on cartoonish, Technicolor personas and music. Understatement is a completely foreign concept to this song, which bursts to life on chunky, blaring synths and a hip-hop beat. Both are plenty amiable, but the real core of the song is HyunA’s oozing, sticky performance, whether she’s having fun with the robotic “cream, cream, cream, cream,” running through the background of the chorus, vocal hook in the background or declaring “I GOT THIRTY-ONE FLAVORS” with an attitude that transcends camp: throughout “Ice Cream”, she also offers us thirty-one different hooks. No matter what your thoughts are on the song or HyunA, I guarantee at least one of them will stick. B

missA – I Don’t Need A Man
missA’s most glaring flaw has always been their lack of personality: their songs are generally well-crafted and atmospheric, but anybody else could step in to sing and I wouldn’t notice. “I Don’t Need A Man” feels like an attempt to rectify that issue a bit, and unfortunately a slightly artificial attempt at that. It’s packed with vocal harmonies, shouts of “HEY” and “OH”, and a neat little bit in the chorus where each of the four members gets a chance to show some sass. Despite the amiable, sunny vibes of the track, it still falls a little short of feeling completely sincere, though: “This is for all the independent ladies,” they declare, but the song only scrapes its titular conceit, focusing less on emotional independence than on financial independence. In the moment, though, it’s a plenty resonant expression, but I still wish that I could hear what missA has to say that any of my friends couldn’t already say better (albeit much less musically). C+

Lee Hi – 1, 2, 3, 4
Talent show stars seldom make it big after they win it all, but Lee Hi has surprised right out of the gate with “1, 2, 3, 4”, her debut single. Everything about this song demonstrates a maturity to her perspective, from the snappy, measured instrumentation to the refreshingly distanced lyrics: “Time will resolve everything,” Lee Hi declares, accompanied by harmonies that sound weary but wise. That said, she also has a bit of fun with her performance, counting down in the last chorus, adding in flourishes to the melodies, and delivering the kiss-off “Why don’t you just piss off now?” with a scorching intensity that would make Adele blush. All that, and it also does more for feminism than “I Don’t Need A Man” ever did. What’s not to like? A

Noel – Things I Couldn’t Say
What’s nice about “Things I Couldn’t Say” is how surprisingly pretty it is. Noel may just be laying his regrets onto the music, but he does it over a soothing, lush bed of R&B that feels wonderfully lived-in; unfortunately, that’s about all I can remember from the song. Try as they might, Noel and his lyrics begin in sadness and never manage to move on from it, so mired in the song’s conceit that it never suggests anything even remotely personal. By the time the chorus “builds” to a vocally-manipulated chorus of men angsting in yeahs and oohs, the truth becomes clear: there’s a lot of things he couldn’t say, but it doesn’t look like Noel’s going to say very many of them even now. C+




Epik High (ft. Bom of 2NE1) – Up
I know very, very little about the rap duo that is Epik High, but damned if this didn’t just win me over completely. Though the group obviously specializes in hip-hop, one of that genre’s greatest strengths is its ability to seamlessly crib from various other influences to create something wholly novel, and that strength is in full play here: “Up” begins as a sincere ballad apropros of Bom’s emphatic caterwauling before it takes an abrupt turn into a stadium march, eventually settling into an invigorating back-and-forth dialogue between the two. Self-empowerment anthems usually relegate themselves to either extreme of the emotional spectrum, be it weepy balladry or dopey-eyed swagger. “Up” stitches them together and soars even higher. A-

ONE-SENTENCE REVIEWS
Ailee – I Will Show You
Featuring an incredibly powerful performance from the surprisingly gutsy Ailee, loaded with vivid details of things bought and forgotten that sting, anthemic to the max—this song’s only flaw is how haphazardly the two halves of it are patched together. B+

Gain – Bloom
“Bloom” whirs and chugs along at a groovy little pace, but when the chorus goes for cotton-candy sweet, it emerges soaked in corn syrup instead. C



PSY – Gangnam Style
On my first listen to “Gangnam Style”, it would have qualified for an A. You would think that overexposure through the song in literally every medium possible (we’ve seen anime parodies, a political takedown of Mitt Romney aptly titled “Romney Style”, and even a mash-up with MC Hammer’s “Too Legit To Quit” at this point) would sap the song of its immediate, carnal power, but this gem has stood the test of time. A+

HyunA – Oppa Is Just My Style
Nobody dethrones the master, HyunA, certainly not somebody who meows all of her lyrics like a feral kitten. D-

G-Dragon - Crayon
One of the most surreal experiences K-Pop had to offer this year, this track still hits hard; whether it’s a good buzz or a bad buzz is a question for another day. B

Before I end up descending into self-indulgent verbal fellatio, I’ll cut myself off there. Any way you slice it, this was a groundbreaking year for Korean pop, and though I am often disgusted by the naked consumerism of the entire genre, the passion and talent of the artists in our nation always manages to transcend and surprise. In any case, we can all look forward to turning our televisions on in the last week of the year, when all of the Korean broadcast networks will be airing their end-of-the-year music extravaganzas, and seeing PSY dance to “Gangnam Style” about twenty more times. I know I’ll be there.

Cheers to 2012!

The Final Words Of A Student Editor (Not An Obituary)

The Final Words Of A Student Editor (Not An Obituary)
By Hyeongseo Daphne Park



“Are you doing your homework?”
“Yes…actually, no, not technically.”
“Then what are you doing? Oh, wait. Is this Expresso again?”
“It’s been two weeks since I’ve worked on Expresso articles, Mom. Give me a break.”
“Well, for some reason to me it always seems like you’re editing someone else’s article. Do you really have to waste so much time doing that?”
“It’s not wasting time, okay? I’m doing it because I want to.”
“I’m not against the fact that you’re doing what you like, but it’s true that you’re spending a little too much time on that. The least you could do is set up a ranking that defines what’s more important. I hardly see you studying your textbooks anymore.”
“Fine, fine, I’ll stop, okay?”
“Oh, are you angry with me now?”
“No, I’m just saying I got your point.”

That’s the typical dialogue between my mom and me while I’m caught up with editing the reporter’s articles. No, I’m not whining about the fact that I have a huge workload; rather, I’m whining about the fact that there are only so much as 24 hours given to a person each day.
Reading and editing five to six articles at a time is a lot of work, unlike what most people think. The process of editing a single article takes about an hour: first, I go over the whole text seeing if the general flow is okay. Second, I read the whole thing again and fix grammatical errors. Third, I read the article again to see if there are any stylistic improvements that may make the article better. Finally, I read the article through one last time to check if I’ve missed anything. Only after adding a few general comments about the article at the bottom of the draft can I say that I have sufficiency edited an article. If the length of any article goes beyond two pages, it takes at least an hour and a half to get through the whole ordeal. That’s why I usually pull an all-nighter when editing articles. If you haven’t seen any edited articles get uploaded on Dropbox by Sunday midnight, that generally means that I’ve been procrastinating—which is something I often do—and am going through each article that night, then uploading the full batch on Monday.
Apparently, what I do doesn’t seem to please my parents at all. They barely see me during the weekdays, on which I spend about an hour or so fumbling with my GLP homework and then go straight to sleep, and when they eventually get to see me during the weekends all they see is my everlasting process of editing articles. That’s a biweekly, or even monthly, occasion, yet the sight seems to leave a rather deep impression on both of them, making them think that I’m always spending my time working for Expresso.
But then again, that’s the inevitable life of a nerdy Expresso editor who is watched over by nerdy parents. That’s when my motto kicks in: “if you can’t avoid it, enjoy it.” And so I’ve pushed through an entire year; that career, though, is about to come to a close. It was hard in the beginning; I’ve never been so good with people, and I had absolutely no idea how I was supposed to build ties with my new hubaes. I wasn’t—am still not—a natural lover like Moses (i.e. the other editor in chief), nor a sassy fireball like Abby (i.e. the assistant editor in chief); the system by which Expresso was run had changed dramatically (which was critical considering the fact that computers have never liked me as much as I liked them); we had large-scale plans ahead. Frankly speaking, I wasn’t sure whether anything would work out the way I wanted it to. The only driving force was that naïve courage that seems to swell up from somewhere deep down below whenever I execute another reckless plan.
The role of an editor was much more cumbersome than I’d expected it to be—it wasn’t just about submitting articles anymore; it was about taking full responsibility for other people’s work as well as my own. But that sense of duty is what eventually provided the stamina I needed to endure the work throughout the year. I was often required to play the devil’s advocate in order to maintain order and discipline among the members of Expresso, but it never felt so good to have to be mean (I thank all the members of Expresso for coping with such harsh treatment; I know it was irritating for many of you). There were times when I found the workload overwhelming, but somehow, just somehow, everything slowly found its place. It was a smooth sail from then on.
What mostly kept me from giving up was my love for being a part of Expresso. It may sound somewhat narcissistic to say so, but I believe Expresso has made great progress this year thanks to the wonderful teamwork of reporters, photographers, and layout workers. I felt great joy whenever I patted myself on the back after publishing an awesome issue, and was always full of hope that the next issue would be even better. The sad part is that all that’s over now.

----

Just a moment ago, my mom came into my room to check what I was doing.
“What are you typing? Do you still have homework to do? I thought GLP was over.”
“Yes, it is. This is the last article I’m writing for Expresso.”
“Oh, really? That’s good news. Expresso’s so jinggeureoweo.”
I just smiled. Other people will never understand what Expresso means to me or to anyone else who is a part of Expresso unless they actually participate in the process themselves.
About a week after I upload this article on Dropbox, it will be published at Digital Copy, and Moses, Abby, and I will scurry around the school distributing the final issue of the year. Then that will be that; I will no longer be the editor in chief of Expresso. In fact, I don’t know exactly what I will be.
Joining Expresso was the first independent lunge I’d made ever since I’ve begun noticing peer pressure. Applying for the position of Expresso’s editor-in-chief was the second. Now this is my third. As I write the final words of my last article, I feel some hollow space occupying a corner of my mind. Amid that feeling though, is a sense of satisfaction: that I’ve left a footprint, a big, deep, beautiful footprint to be remembered by on what I love most dearly. If that’s not immortality, what else is?

The First Day

The First Day
By Moses Kim



Today is the first day of something called the Global Leadership Program. I have my sister’s old backpack in one hand, five book reports in the other (three of which I have never read), and eleven other classmates with me, all of whom look much more studious than I could ever dream of being. Oh, and don’t forget the butterflies flittering around in my stomach.
The door opens and a man, six-foot-one at the very least, walks into the room with an impish grin. His messy hair hits that perfect balance between order and chaos, while his tidy suit betrays not a single speck of dust. If you looked up “teacher” in the old Merriam-Webster, this dude would be there.
He puts his bag down next to the podium, writes his name (Mr. Catinari) on the board, and faces us. “English is a weird language!” he declares, and my eyes widen in curiosity—and fear.

----

The story of the fresh Daewon student, I imagine, is always some amazing story of brutal competition, eye-gouging schedules, and rigorous preparation. Not so for me: I practically stumbled blindfolded into the doors. The first time I had heard of the news was a cold February day in 2010, where a banner flapped over the entrance of our middle school congratulating “Lee Doo-Hwan” sunbae for his acceptance and matriculation into one of the most prestigious foreign language schools in Korea. My uncle noticed the banner on a random visit, and he told my parents, who cooed happily and pressed me for my opinion.
I knew only one thing: it would be a cold day in hell before I ever cracked open a suneung book.
So began an eight-month sprint towards admission: haphazardly putting together an application, hastily preparing for the interview (which would be in Korean, how wonderful), and generally cramming every little speck of information that would boost my chances of getting in. In the end, my survival had less to do with my efforts and more to do with the sudden change in education policy. When it turned out that the only subjects Daewon would need from me were English, math, and literature, my generally mediocre grades became a non-issue, and my path was settled.

----

I stare at my first quiz paper. A crimson 1/10 stares back.

If there is one punishment Mr. Catinari doles out without discrimination, it is grammar. He sets up little presentations full of cute characters like Thomas Neckchomper that conceal horrifying lessons within them. The students of Class D are just learning how ignorant they really are.
The other classes aren’t much better for my talents or self-esteem: in Literature, Mr. Han’s readings go in one ear and out the other. In Speech and Debate, I learn just how unruly my tongue is in what I retrospectively don the Moses Kim Meltdown of April 2011. I sign up for the debate team, in some vague hope of becoming more eloquent (less useless): the first question the senior captain asks me at my audition is whether I suffer from ADHD.
But I keep trying, undeterred by just how much I suck at everything. Every Tuesday, I grab dinner from the local church in a hurry, running back up our school’s hill at 5:45 sharp to study for a quiz that I will almost certainly fail. Every step from the bottom of the hill to the doors of the school is an arduous battle, a reminder of how far I have to come.

----

Eventually, the hill secures a temporary win. On the last day of the first semester, I barely secure an A in Chinese, hold back a wave of nausea, and struggle towards the subway station. I make it all the way to Gunja station before I finally lose it, rushing towards the nearest wastebasket and hurling my breakfast. I still don’t remember how I got home after that, but I remember a lot of juk, a lot of vomit, and a lot of sleep.
The next day, I go to the ER for the first time in my life. The diagnosis: advanced pneumonia, vines grasping onto my lungs and squeezing them for air. The bigger defeat for me is a psychological one, the cherry on top of a semester full of disappointments, failures, the sudden realization that I am out of gas while everybody else is chugging on towards the finish line. When I return on the first day of the summer session, it feels as if something in me has changed. I quietly begin to observe the people around me. I begin to look at what Daewon does to all of us.
It’s funny to see the universal reactions of terror whenever Mr. Catinari grins like the Cheshire Cat and produces a fresh stack of graded essays or yet another grammar quiz: everybody here lives in constant fear, whether justified or not. Even those at the top live the constant nightmare of having their position usurped. If you’re good at math, then you focus on your lousy English grade. If you are good at grammar, your essays are terrible. Every friend I look up to has his own problems, his own demons to battle. And every morning, we take the trip up the hill to confront them.
Even worse, sometimes the demons are to be our own teachers. One night in November, I return from third period to find two girls in my class weeping silently while my classmates huddle around them, patting their backs, consoling them gently. Only later do I find out that my homeroom teacher had pulled them out of class for talking earlier, berating them, declaring that neither would ever go to college. One year after the fact, the incident remains etched in my brain so clearly; mostly, I remember how it felt as if all of the heat in the classroom had been sucked out, how this haven of education had suddenly become as cold and stormy as the world outside it.
Ultimately, all we have to rely on is each other, the very people our school tells us we’re competing against for entrance to the schools we want to go to. It’s a weird state between warfare and ceasefire, where we live in constant awareness of the harsh reality awaiting us in just two years but hold each other up anyway. I love my friends all the more for how helpful they are, but I hate myself for daring to think about what happens after the end, hate myself for being selfish, two-faced, and worst of all, incompetent.

----

Fast forward one year to November 22, 2012, the last day of GLP. I am one year older, several centimeters taller, and ever-so-slightly more well-read. But in many ways, I’m the same person who wandered into Daewon two years ago: awkward if assertive, talkative without a lot to say. On the outside, I bounce around, as jovial as ever, but inwardly I shudder to think of what’ll happen after today. Even as I wonder what the last words of Mr. Dranginis and Mr. Kim will be, I fear that they won’t be enough to assuage this avalanche of dread.
The last five minutes of Composition II roll around, and to my surprise Mr. Dranginis is still lecturing us on this lobster article we’ve read for the last day of class. I mean sure, this is the teacher who reacts to sentimentality by threatening to throw us out of windows, but surely the last day of the year must mean something, right?
Instead, he turns the significance of the day around on us. “The reason I’m not doing anything special for the end of class,” he explains when all of our work has been finished, “is because you shouldn’t stop learning here. If something interests you, find it. Learn more about it. Don’t let your brains turn to mush.”
Later, as Literature II, the last class of the year, rolls to its finish, Mr. Kim smiles in that wearied but genuinely happy way only he can manage and asks us to write one more haiku to close out the year. One by one, we step up to the front, smearing chalk on the tips of our fingers as we write our last words and pass the pieces onto the next person in line. To me, the board, drenched in colors and words spilling over each other, feels like endstopping, a supposed conclusion that doesn’t conclude anything.
Mr. Kim’s last words are those of Nietzsche: “One does not repay a teacher well by remaining a pupil.” As we ponder those words silently, he looks over all of us and concludes, “When we meet again, let it not be as teacher and student—but as fellow students, students of life.”
There it is, the end of two years of the most rigorous program I had ever pulled myself through, one that I entered almost by accident. We’re seniors now. The best of the best. Global leaders, as Daewon said we would be. But I don’t feel like a leader at all, and I’m not ready to leave. So instead of taking the initiative to do what my teachers had told me to, in the last thirty seconds of my junior year I do what I had learned to do so well in my time here.
I look around at what everybody else is doing.
I see one of my closest friends, one of the most compassionate, humanistic people I might ever know, devastated, rubbing tears from her eyes. I see others embracing, holding hands. Others sit in absolutely stunned silence. Others are clapping quietly. I, on the other hand, don’t know how to feel, as always. All I know is that I love these people, all of them, this time with reckless abandon.

I am the last one to leave that day, and my steps echo through the hallways to remind me just how alone I am. But something I know well but have never made room for wells up in me that day: the desire to belong, to see something bigger than myself. And sure enough, on my way to the subway station, I pass Deungchon and look at the window. Ten hands wave back. No longer are we the rivals that Daewon pushes us to be, enemies conjured by my broken mind, demons that will take years for me to fight.
But the fight begins today.
That night, I step into the room and join in.
That night, I stop being afraid.
That night, I become a fellow student of life.

----

Today is the first day of something that nobody bothered to put a title on. Today, there will be no teachers, no classes, no essays—just me, forty-eight of the closest friends I will ever make, and this backpack, so burdened over time that it now threatens to tear at the seams. We face the same hill we have fought every day for the last two years of our lives, the icy wind blowing at our backs, the swirls of dust that make it difficult to see where we are sometimes, difficult to see the people around us.
As I close this chapter of my life, I open a new one—and this time, I’m not alone.

Interview with Editors-in-Chief/Assistant Editor 2012

Interview with Editors-in-Chief/Assistant Editor: Moses Kim, Hyeongseo Daphne Park, and Abby Eunsoo Kim
By Lorens Lee




Having a meeting of Expresso for determining the final issue’s topic, I suggested interview with the editorial board. The said people seemed embarrassed since it was unexpected, but I wanted to talk about them who have had great efforts for every issue of Expresso so far. Also, I’m sure that all students are curious about their thought of Expresso as much as they have special attachment to it.

1. Why did you join Expresso?
Moses: At the time, writing was one of the few things I had any confidence in, and it’s always been something I enjoyed. I honestly wasn’t thinking too much about any sort of goal when I joined: it was just what I thought fit me well and would be enjoyable.
Daphne: Honestly speaking, I've never participated in any news club activities whatsoever until I joined Expresso; I just thought journalism wasn't my type. But about a month after I'd been living (yes, living) in Daewon, I received an e-mail from Chae Yoojin sunbae (former editor in chief) asking the freshmen to contribute to Expresso. She was asking us to write an article for Agony Aunt, and I was kind of having a hard time adjusting to GLP and all, so I sent an e-mail in reply. Fortunately, my worries were published in the year's first edition of Expresso with Agony Aunt's reply beneath it. I don't know why, but that experience was simply thrilling. I knew nobody paid attention to the article—after all, who wants to hear anyone whining about lack of sleep?—but simply seeing that what I had written was actually printed on paper was enough. When the freshmen were asked to sign up for GLP clubs, I put Expresso as my first choice.
Abby: It was the first publication I saw that had any real student participation in it, and I agree with Daphne in that there’s a certain thrill in seeing your articles regularly published in print. And I really liked the name. But I guess what really sealed the deal for me was when Mr. Bruske, my freshman year lit teacher, gave an extra credit question on a quiz from the first issue of Expresso. That was it. I had to join.

2. Were there any changes in Expresso after you became editors? Did you change?
Moses: Honestly, I don’t think there have been as many changes as we thought there would be at the beginning of the school year. One of the reasons is that there simply isn’t much to change: Expresso is always going to exist for Daewon students, of course, but also in terms of design and content, we basically focus more on refining what we’ve learned than on radically overhauling anything.
As for me, I suppose becoming an editor has made me more responsible about things. I’ve gotten much more used to long nights than before (fun fact: I’m writing this at 2 in the morning!), I can keep track of my schedule, and I’m a lot more understanding when it comes to just how busy Daewon students can be, since the editors have to keep track of literally everybody. The downside, of course, is that I’ve become a touch more cranky about people, but I really, really try not to be.
Daphne: In terms of the way we operate Expresso, lots of changes have occurred: we began using Dropbox, made the reporters write drafts, recruited specialized photographers, and held Friday grammar classes. Moses, Abby, and I tried hard to make Expresso function as efficiently and effectively as possible. We also had lots of other ideas such as publishing advertisements for various club performances and charging them money for each ad (yes, we are greedy, money-sucking pigs...or at least I am). Abby also brought up the idea of using personalized photographs for covers, and I think we've covered that part pretty well, too. The teachers laugh at each of our editions of Expresso, but that's always happened so we decided not to care. Hahaha.
In terms of personal changes, I really don't know. I guess I've become more authoritarian (sorry, freshmen!) in general. I'm normally too lazy to manage to cram anything new in my schedule, and I can't say that I've completely abandoned the deadly habit of procrastination (which is probably why Moses had such a hard time hauling me through the workload), but I've certainly enjoyed working as an editor of Expresso. I'm not exactly a nice person when it comes down to grading stuff, so I'm pretty sure I've pissed off quite a few reporters in the process of criticizing their work. Some of them are probably thinking I'm a stuck-up sunbae who doesn't acknowledge her hubaes' efforts—which is not true, by the way. Nevertheless, it was exhilarating to see that the reporters' writing skills were actually improving throughout the year, and I really look forward to next year's progress as well. I just hope that other members' memories of participating in Expresso are as pleasant as mine.
Abby: I guess we tried to get more writer-editor interaction this year—last year was great, but we never got to see our fantastic sunbaes because everything was operated through email. Moses and Daph pretty much said it all—personalized covers, paparazzi shots, and Dropbox. I haven’t had the chance to edit a lot of articles, but I see that the freshman writers’ stuff is getting much better, and I think this is the welcome change every Expresso crew goes through each year.
As for me, yeah, I did change a lot. For starters, I started getting a lot more cautious about giving criticism, because I realized that what I think is a directly worded, to-the-point comment could seem like vitriol to a scared hoobae. I also started thinking more about writing and journalism because honestly, when you guys ask me questions, I sometimes have no idea what the answer is.

3. Are there any secrets or funny events about Expresso that you remember? (This was quite interesting because their answers were evidently different.)
Moses: Lots of things. The feeling of excitement when I saw something worth putting into paparazzi. And writing stuff down in my Comp notebook to put into the sadly now-defunct Verbatim section. And getting to be the first person to see Eunjeong’s badass cartoons (particularly the GLP style one). And rushing around the stairs before eighth period to snap enough pictures to make the cover for our Olympics/FOLA issue. And watching the window in the debate room during meetings to make sure the mean lady terrorizing the fourth floor wouldn’t barge in. And wiping chalk off the blackboard with my hands.
One very uplifting memory: when we originally promoted Expresso to the freshmen, we were hoping for at least ten or eleven writers. We got seven. I remember coming home from hagwon and checking the inbox literally once every five minutes to see if we would get any more applications. It seemed like the end of the world because Expresso needs writers to function. Of course, when we went back at the start of the second semester, we suddenly got six more people on board. I was bouncing off the walls with excitement: it was one of the most surprising and happy moments of my time in Expresso.
Most of my other memories regard constantly worrying every Friday night that nobody would turn their articles on time. So to the freshmen of 2012: make sure you continue to work this hard next year. Next year’s editors will need you guys.
Daphne: I'm pretty sure this isn't much of a secret anyway, but whenever the editors gather to have a talk, Abby's actually the one with the most power. You can't really out-talk Abby when she gets really feisty, you know. Actually, it would probably be more accurate to say that all three editors are pretty unique personality-wise. If Abby's the hot-headed mistress, Moses is the hype dude exploding with new ideas and enthusiasm, and I'm the reserved (i.e. indifferent), thoughtful (i.e. ignorant) person who chips in occasionally to burst some bubbles by giving a cold stare. We three really are an odd combination: Moses is extra nice and super affectionate; I attempt to be nice and condemn affectionate behavior; Abby refuses to be nice but regularly shows signs of affection (if you don't understand how that works, I suggest you don't try to figure it out). I guess that's what makes us such a good combination in the end. You should really see us when we have editor meetings; it's more as if there are three individual people simultaneously giving pep talks on a single TV show rather than an actual idea conference.
Abby: Haha. Well, apparently the joke is that I wear the pants in this little group but actually this is all just an elaborate scam—I’m powerless under Daphne’s are-you-serious death-ray stare and Moses’ slightly disappointed sigh when I pitch totally random ideas. I guess the most exciting part of being on the editing board this year was interacting with hoobaes, and actually getting to see you guys pitch ideas for articles. Believe it or not, I kind of like you guys.

4. What advice or wishes do you have for the first graders?
Moses: Daewon might suck about plenty of things, but moping around about them has no benefits other than emotional release. Being too pessimistic makes everything look like crap, meaning you end up missing out on a lot of opportunities, and that hurts nobody but yourself. I’m not saying you shouldn’t criticize Daewon when it screws up, because it can and does. I’m saying that Daewon’s ultimately what you decide to make of it.
Be as kind and compassionate as possible to your classmates. If you don’t support the people in the same classroom as you, nobody will. If there are people you think you can never ever get along with, you absolutely can get along with them: tensions tend to be amplified in a pressure cooker like the GLP classroom. Keep an open mind.
If you’re going to badmouth anybody, badmouth your hagwon teachers or your domestic teachers or your parents (although they do a lot for you). Try not to badmouth your classmates.
Don’t drink too much coffee. Do your damn homework. Please don’t sleep in domestic classes. They may suck, but a crappy GPA sucks even more. Keep a book or something else you can work on next to your toilet: time counts in junior year.
Wake up every day planning one thing you can do for somebody else.
Daphne: As I've told several of you more than twice: READ. THE FRIGGIN'. BOOKS. It's absolutely disheartening to see the freshmen ignore such valuable pieces of advice every single year (and yes, that includes us juniors, too). The reason sunbaes give you advice is so that you don't have to go through the same ordeal they have. So, seriously, read books, journals, newspapers--anything that comes handy. You all say you don't have time, but based on my freshmen-year experiences, you have too much time; use it wisely. Don't go on Facebook to like any random comments your friends have posted on their walls: read. Don't go around cracking dumb jokes (although I do tolerate pervy ones) with your friends: read. Don't spend so much time watching webtoons: read. You'll find that it helps a lot.
Abby: Your GPA is like your pregnant wife past her first trimester. It needs constant care, lots of sleepless nights rubbing its feet, and occasional nighttime trips out for ice cream. In other words, always put your GPA first. The other piece of advice is that you should really participate more in GLP classes—read the stuff the teachers give you and really try to join in the discussion; it’s one of the most valuable things this program can give you. Don’t drink too much caffeine, spend your time wisely (though I’m not sure I should be saying this), and just try to enjoy your second year. For me, classes with Mr. Dranginis and Mr. Kim were the best part of my day throughout this entire year.
Besides that, I should say work your asses off because they grow back, but your sophomore year doesn’t.

5. Could you describe yourself in five words?
Moses: A confused work-in-progress.
Daphne: Uptight nerd suffering from smoochaphobia.
Abby: Procrastinating better time-manager wannabe.

Honestly, my original purpose was to listen to Editors’ memories and to have fun, but ironically in reverse, I could learn and realize lots of things such as about school life or writing from this interview. Thank you Moses, Daphne, and Abby for steering Expresso this year!

*“smoochaphobia” is the fear of smooching and receiving smooches.

Believe!

Believe!
By Abby Kim



My two years at GLP have been those of mixed messages and confusion. The naïve, slightly intimidated girl with her crisp new uniform and shiny shoes has run a long lap and found herself a cynical, weary, soon-to-be high school senior with permanent dark circles under her eyes and a penchant for bad jokes. Sure, maybe she’s learned a thing or two in class, and maybe her essays are a little better and she knows what a sonnet is, but other than that, sitting cross-legged on her bed and staring off into space, she can’t remember anything sold enough to slip into her pocket.
That is, if you look at it from the cynical, weary, soon-to-be high school senior’s point of view—the naïve, slightly intimidated girl can look back and see a lot of things worth scrapbooking: the poems that Mr. Bruske made us memorize for extra credit, the coffee Mr. Hidalgo would sometimes give us if we were all falling asleep in class, the GLP excursion to Leeum, the giggly study hall hours during which we would do everything but our homework, Mr. Dranginis’ excoriating-turned-endearing sarcasm, Mr. Lee’s Jay-Z performance, and Mr. Kim’s very very interesting Romeo and Juliet lectures. There are two years’ worth of laughing and singing and all-nighters and caffeinated drinks and learning piled up in my memory shed, and it would be a shame to call that nothing just because it can’t be on a resume.
My memory shed, however, is sometimes locked tight by what I am told constantly—don’t trust your friends too much; they’re your potential competitors, what you love isn’t exactly what’ll send you to college, that party / reunion dinner / trip is a total waste of time you could spend on something else. On top of that, we are perpetually urged to give up our rainbow visions, and our heads are shoved into cold water by strong, ruthless hands.
It is no longer surprising when a ten-year-old kid says that she wants to become a teacher because the job is stable with an ample paycheck. Politics seep through children’s books, movies, and cartoons and kids are disillusioned by society too soon. They no longer inhabit playgrounds but instead fill English and math hagwons, taught by their no doubt well-meaning parents the fundamental rules of competition—you have to crush some heads before you can reach the top.
This rule becomes even more pronounced at Daewon, where a select group of students compete with each other for entrance to prestigious colleges. We see, or rather, are told that we see, the battle unfolding before our eyes, and are under constant pressure to compare and beware. Lofty ideals and ambitions are condemned as impractical. This becomes even more confusing for us because in our GLP classes, we are told to uphold those very ideals, to question hegemonies and power structures.
It’s a mixed message indeed, when we study in a program designed to offer us an opportunity for an escape from the oppression of the Korean education system, to expand and grow into “global leaders”—how can we achieve such elevation when any chance of dreams is cast off?
Therefore we clash, and are thrown into confusion—maybe that’s why, in the midst of rushed cramming and essays and APs we feel cramped and lost, and maybe that’s why there isn’t a moment into which we wholly put ourselves. And at the end of a year, I feel that we need a new message.
I’ll make it brief: kill that high school senior inside of yourself, along with all that cynicism, weariness, and distrust. Instead, believe in fairy magic, and build castles in the air. Do every silly, impractical thing that people tell you not to do. I know that it seems like an incredibly reckless thing to do, something that will leave you totally unprepared for the years ahead of you, but come the eightysomething years after Daewon, you will find that this sort of vulnerability will be extremely beneficial.

KBL: Their World To Our World

KBL: Their World To Our World
By Yewhan Choi



On the 13th of October, the Korean Basketball League began its long journey to the end of the 2012-2013 season. Basketball fans all over Korea who were tired of waiting were finally relieved from their wariness. However, it wasn’t only the basketball fans who were excited; the players were also excited to show their improved performances that they have trained for during the summer. This 2012-2013 season is expected to be the best season ever since the 1980s and 1990 as the overall ability of players have improved due to the deep draft pool that has formed since the 2009 draft. Not only has the overall performance level increased, but potential stars such as Oh Se Geun (Anyang KGC), Kim Si Rae(Ulsan Mobis), and Lee Si Jun(Seoul Samsung) are beginning to show their full abilities. For a long time, Basketball had been in the shadows, unable to appeal to sports fans. However, it is now being illuminated once again due to enhanced performances in international competitions and the general expansion of the NBA. Now seems to be the right time for KBL to attract more fans to the game of basketball, appealing some fresh and hard-to-find traits from any other basketball league.
The first great aspect of KBL is the great team spirits within teams. As KBL is not a big league, there is less movement of players among teams. Naturally, players tend to stay in the team that drafted them and remain loyal to their fans. Due to these reasons, it is hard to find major changes within a team’s roster except the movement of foreign players. This eventually leads to better chemistry within a team as players play with the teammates they had been playing with for several years. This phenomenon presents many benefits for the team; the quality of passes goes up as players can predict how their teammates move based on experience. In exchange, having better quality passes leads to much more spectacular and fabulous plays during the official games. There is also a scientific research conducted by the Korea National Sport University that states the KBL scored the highest in the category of plays lead to score by passing per games surpassing the Euro League by far.
The second great characteristic that KBL has is that it is difficult to predict who wins and who loses. As KBL is a small basketball league, the opportunity to get drafted is given fairly equally to all the teams, greatly reducing the differences in the abilities of the players. Also, as teams have games with each other many times, the coaches’ game strategies are the biggest factor that determines the final results. Every game, coaches investigate for the flaws in the opponent’s tactics; these flaws can be used in turn to counter attack their opponent. For instance, on 9th of November, LG beat KGC by far. KGC seemed to be the winner before the game according to many experts, but LG slowed down the tempo and led the game to more of half-court offense which reduced fast break points that KGC could have earned. The unpredictable game outcomes and the suspense generated from them are what make basketball fans await every game.

A Hollow Year

A Hollow Year
May Lim


A regular girl from a regular middle school was accepted by the most prestigious high school in the nation. With big hopes and big desires, she finally entered Daewon Foreign Language High School, which she thought of as a magical place where enlightened students with brilliant minds could pursue their dreams. When she first walked up the stairs towards “heaven (which in this case, Daewon)” for the interview, she desired and desired to come back to this hall of heaven and become a part of the Daewon family. A few days later, she was officially announced as a student of Daewon Foreign Language High School. And from that moment, the tragedy began.
Sadly, and as all of you would have already figured it out yourselves, the girl from this tragic story is me.
When I first walked up this school, I had ambitions. Actually, I could say that my body was practically composed of ambitions, looking toward a perfect high school life in a perfect high school. I expected the best of the best teachers filled with knowledge and dignity and nerdy but brilliant students who didn’t know anything except studying. Again, I was ambitious. I had ambitions to study hard, no matter how difficult an adventure in Daewon lay before of me. …And I dozed off during the second period on my first day of school.
Almost a year having passed away, I look back on March and think about how my life had been for the last eight months. Friends who will go through this journey together for the remaining two years, a significant improvement in my English after I coming back from Canada, and the paradigm shift of my life as a happier and more of a meaningful life—these are accomplishments of the year, which look quite satisfactory in one way. However, when I really think about the past eight months, I somehow feel emptiness, for not trying with my best capacity or not managing my time so well.
Right now, the first thing that pops up in my head is the word “busy”. With 100% confidence that all of you will sympathize with me, this year has been the busiest year I have ever gone through. Coming back home at eleven at night and waking up at six in the morning was horrifying. To be frank, I don’t even know how I managed so well to wake up on time every day. And after I finally get to take my seat at my desk, I drink a sip of water and start off reading Fountainhead. Until the starting bell rings, I read as fast as I can, underlining some quotes that seems to have some kind of a meaning (Sorry, Mr. Cho). As soon as the bell goes, I silently put my 700-page book aside and see whether the next class is important or not. If it is Mr. Lee’s biology class, I take out my phone and start reading an article for Ms. Lee (Sorry, ma’am.).Not only that, skipping meals became part of my usual pattern. Skipping lunch and dinner for the sake of doing homework is quite sad and also pathetic, but that was the route that I had to take. These busy days arrived three times per week: Monday, Tuesday, and Thursday. This weekly routine continued for an entire year. Surprisingly, my calculations show that I have spent roughly 107 days, living in this busy cycle just on doing GLP homework. Wow.
Another thing that comes to my mind is the word “thrill”. With a great privilege that they can get a perfect score as long as they receive a higher score than 67, GLP students have incomparably less stress towards the mid-term and final exams than the domestic department students. In fact, many domestic department kids say that it really should be a piece of pie to get straight A’s. But is it? Well, at least to me, no. Really, who has the time to get a satisfactory score when he is given only five days of study hall? Many GLPians manage to pass several subjects with a smallest difference, which Korean students often refer to as called “pull-ups”. And after they get a dangerous score on the verge of getting a B, they study damn hard to make that score into an A. With this thrill of the borderline for A, GLPians live in fright with worries that stress them out every time they have a big exam.
After looking back on year that will never come back, I don’t exactly feel “satisfied”. I was always chased by time, so desperate to finish homework before class began. I was constantly under pressure by my grades, despite the fact that the cutline was surprisingly low. More than that, it feels like I haven’t managed my time effectively, just letting it slip away without doing anything. With various other reasons, I feel somewhat empty about what I’ve done this year. I can’t say for sure that there will be any dramatic changes next year. I might just spend another year with the same, busy, and stressing patterns. But with high hopes, I will try to not fall into that trap again.

Dystopia

Dystopia
By Paul Kim

0
I could have never reached the shiniest star.
It was a lock with a key.
For what reason I struggled so long shall always be a stigma I could only hope to solve
Yet, the heavens have bestowed me the answer in the end.
To just reach out and jump.

1
Roy Kim.
John Park.
It was with sheer irony that I was born into this world with the most absurd of names joining those two before me. Heil* Kim, 김하일, was my name.
Yes I’m Korean, the only flaw in my Mother’s perfect scheme to make me succeed in life.
The least she could was make me name bearable on print.
To blame my mother was always an arduous task for me.
Gratefulness is what she expected exchange for her so called “labors” that included carrying me to and from academies and signing me up for more and tests.
More likely is that she has traded her happiness to control my life. In doing that she has gained every control over my life.
It is found in both western and eastern philosophy, that names had a role in deciding the individual’s destiny.
If that were true, the last traces of my existence wouldn’t have lasted now.
Hence these traces only show that I lived a quite different life from what my name suggests.
This was only the beginning.
*Heil (n. neu.) Glück, Seligkeit, Wohl
2
Yes, I’m Korean. I say it again because even I forget it sometimes.
In that sense, to my despair, my mother has done her job quite well. Proof would be this document written in English.
The first mumbles that tip toed out of my mouth were mommy not 엄마, both terms which I swore never to use the term again in my latter years.
The renowned brainwashing stupid box has left quite a mark in my adolescence, which was weapon-ized by mother. The last faintest voices I remember hearing out of it were of course identical to the language I use now, proof that my mother has turned this modern contraption to her liking.
She has sent me, as I remember, to ABC Kindergarten, at the heart of Gangnam.
I knew my mom was a sole believer in Psy’s cult from the beginning.
The kindergarten, itself was at the heart of its rhythm, and those inside were children of the other believers.
To use this word when describing my life is awkward. Yet, I’m pretty sure that I was still happy at this time.
Perhaps ignorant, but still happy.
The only difference, after all, was the use of English and the abundance of luxury.
Little did I know that these were all simply foreshadowing my dark future and my inevitable doom.
Like I said before, I could have never caught the brightest star.
It was a matter of fate so long as I was born into this world.
So long as I lived in this Dystopia.
I still wanted to keep this part of my memory untainted by all the others.
Throughout life, it was an oasis of reassurance in the desert of sorrows.
Having this is in mind, I feel nostalgia towards this part of my life.
I know, however, that this sweet scent of the past was only a lure of this dystopian paradigm capturing the innocent into a fate of eternal pain and suffering.
To miss and love the scent was to miss dystopia once again.

3
Even that narcotic scent did not last long as it turned into a vulgar odor.
Having gone through ABC kindergarten, at times my Korean felt unnatural.
With her false vision, my mother has made a rule that forbade me to speak, ironically, my mother tongue.
And kindergarten ended and what came was a flood of sheets that commanded me to solve equations, memorize Chinese letters, Japanese, which were to be filled every week.
To be incorrect came with a pain staking price-the mark of a bloody slash came with a strike upon my hands with a heavy ruler that forced my neck to omit a shrill sound that echoed throughout the barren house.
Avoiding pain was my goal in life. I wanted nothing more.
The sheets weren’t the end of it.
In whatever book of the unofficial bible of parenting presumably mentions that all Korean children have to learn how to play the piano and taekwondo.
My evasive tasks became more arduous as my mother followed those word by word.
Had I was given the choice to decide myself; I would not have felt the resentment that I feel today.
But to be dragged to what felt like a military camp where I repeated the same repetitive movement was agonizing.
To love music is to play what I feel.
Conversely, to learn how to play piano here was a series of painstaking repletion of notes.
My fingers were stretched as taffy and stroke by a stick when they failed to do so.
At times I looked out the window, only to see emptiness in a playground.
I could hear the oxygen simmering into the steel creating rust as the hot sun burned the paint on the surface.
Dust stood daringly on the slides which looked as if it has been an eternity since someone touched it.
As my convoluted mother stoked my fingers or lashed the blood onto the sheets, I looked out the window and found utopia.
And I knew it did not exist.

4
Going to school felt almost natural.
It almost felt as a relief to stray away from home and far from my mother’s clutches.
I was, oddly, perfectly ready.
What most first graders find hard in going to school is staying away from home in an obscene location for so long without their mothers.
For the believers of Gangnam Style, this wasn’t always the case, but public schools were diverse enough for me to see children from all different backgrounds-all living in this dystopian society.
They all had different destinies; maybe one of them was meant to reach the shiniest star.
Probably not. They all would have had the same life as mine.
It was neither their fault, as it was nor mine that led me down this path.
The term problem implies a solution exists.
In that sense there was no problem in this world. The way this reached world flew made it seem like there was a law of its own.
A law, that cannot be broken and cannot be argued with. 
My mother has dragged me into obeying the law up till now, but this was a time of change.
As much hard as try to fight it, as much hard I try against it, I would become the follower of this cult and obey this law.
This world provided the perfect ramp, which I would have to follow, towards a path of darkness.
The ramp started here.
It deceived me into thinking that I was the one who was making all the wrong decisions.
That I was leading my own doom.
Even though I realized it wasn’t my fault, I also realized that I am too late.
Too far had I taken this ramp and too late to change the direction it is.
Now I remember the last days I spent on the ramp.
Misled and misbelieving that I was going on the right path.
Hoping that there was an end.


Questionable Cuisines

Questionable Cuisines
By Kyung-Shin Kang



Food has always been one of my great passions. I like the smell of it, the texture of it, and the way a home feels when there is something cooking in the kitchen. It is not so much the eating of the food that enraptures me, but the whole process of preparing for it and looking forward to what might come up. Many of the most memorable pieces of literature I read as a child always had some sort of feast scene in them—complete with a roast boar biting an apple. It is no wonder then that I have continued to profess an interest in looking into our food culture. One of my interesting observations of Koreans is that the majority of our appetites are based upon Western standards as these foods have come into our food arena. Most people in my elementary, middle-school and even high-school classes would answer that their favorite food is spaghetti or steak; nowadays some people even proudly announce a fancy French dish to show off their palettes while few of them mention the familiar kimchi jjigae. In fact, the majority of kids who respond with Korean dishes will say ddukboki, samgeupsal, jjajangmeun or kimbap. Technically speaking, these cannot really be defined as “Korean”, since the red-hot version of ddukboki only came out a few decades ago, samgeupsal was actually conceived during the Japanese occupation when all the mine workers had was a pot lid to cook on, and kimpab is quite obviously a celebrated Japanese dish. The irony here is that although most of its citizens do not seem to appreciate Korean food any more than they do Italian spaghetti, the country is going great lengths to promote Korean food internationally. The problem is, the old cuisine our ancestors have enjoyed is long lost and forgotten and food has come into the arena.
You may ask any 7 year-old you can find on the street or a random foreigner what the main characteristic of Korean food is. Nine times out of ten, they’ll answer that it’s the spiciness, accompanied by a vague comment like “매워요” in broken Korean. We take this as a symbol of pride and go as far as to test foreigners on who can eat the hottest pepper, declaring the winner as the most-Korean-esque person. We describe ourselves of being a hot culture, impatient in its needs and constantly on a quest for spicier foods.
Hot food is good, and when you think about our old saying which declares that “food is only as good as the jang”, it becomes evident that individual flavoring is indeed an important part of the Korean cuisine. This is not to say, however, that Korean food is over-seasoned, or that everything you eat is supposed to be spicy, as most foreigners and even Koreans seem to believe. The fact is, our ancestors did not use spices very often because they thought it killed the original taste of all the other ingredients and instead preferred to use it in small quantities. Since gochujang only came into the Korean scene in the late sixteenth century, many of our recipes were created without the use of it. Like all ingredients that have been celebrated by our ancestors, spice and seasoning only work their magic if they are in harmony with the other ingredients used. In fact, many of our ancestors declared that food which preserved the ingredients’ original taste was the best kind of all and hence our food was always a bit mild and bland. Though it may come as a surprise to most, our food culture does not end at spiciness.
But as Korea went through a series of wars that left them quite destitute, people had to make do with the few ingredients at hand and took to covering everything edible (and sometimes non-edible ingredients) they could find with gochujang. Some say that chili sauce was created by traveling cowboys who needed a way to preserve food for a long time and tasted pretty much the same. Indeed, this is inherently true for the hot and spicy Korean dishes that can be found even today, as making something spicy is the surest way to ensure some degree of tastiness even while completely ignoring the more delicate details of cooking.

However, it is not necessary to look for such a faraway example as chili sauce. At Daewon, before the small revolution that happened a few weeks ago, the majority of our food was a mismatched combination of meat, squid, and other unknown ingredients along with a considerable amount of gochujang smothered all over. Seasoned squid tasted like seasoned chicken and seasoned chicken tasted like seasoned pork so there really isn’t much importance on what is being seasoned as much as the seasoning itself.
In the past, food was a considered as a bodily experience: therefore, there existed strict rules regarding the presentation of the meal as well as the preparation. Various dishes were presented in a certain order according to temperature, taste, texture, or color. Individual dishes, or ban-chan as we know them, were all intended to harmonize with each other as a whole experience, so there existed rules which guided where a meat dish should go, where a vegetable dish should sit and how a hot dish and a cool dish should be separated from each other.
On the other hand, when asked what they think a traditional meal looks like, modern people will imagine a whole family grouped around a table, sharing the same jjigae while haphazardly attacking the same bowl of kimchi, and altogether eating a pretty messy meal. Some people look towards this as a symbol of familial love and community life. In reality, however, Korean food was never meant to be eaten in large groups, unless it was a feast or festival of some sort. Rather, it was served in proportions for an individual on a single table. Each table setting would have rice, soup and an assortment of jangs along with typically 3 to 5 ban-chans. The colonial period was a crucial turning point in our eating habits and was the start of a completely different kind of culture, the one we are now familiar with. Because hunger was an ever-present evil, it brought about the notion that it is better to be full then to eat well. No one was particular enough to demand well-served dishes on a single table setting and opted with the more casual way of eating.
A country’s cuisine is its essence; it is a declaration, an exaltation of our people, our land and our culture. This can be attributed to a number of reasons: a country’s cuisine is the result of the unique geography and climate of the country as well as the tastes of the people and encompasses a wide range of cultural and traditional practices. Yet for a long time, we have started to define our culture and our people as spicy, messy and fusion. For some reason, we have come to delicately ignore the fact that our food should be harmonized and started to emphasize only one or two characteristics of our cuisine while flagrantly ignoring the rest. It is important for us to realize what our traditions are and be able to differentiate between them because believe it or not, we have a rich history of food and we should be proud of it.

Why Mitt Romney Lost

Why Mitt Romney Lost
By Beom Joon Baek



"President-elect Romney has a vision for an American century and has a strategy to secure our enduring interests and ideals. He believes that liberty, opportunity, and free enterprise have led to prosperity and strength before and will do so again. President-elect Romney knows many Americans are asking whether our country today—with our ailing economy, and our massive debt, and after 11 years at war—is still capable of leading. President-elect Romney believes that if America does not lead, others will—others who do not share our interests and our values—and the world will grow darker, for our friends and for us. America’s security and the cause of freedom call for strong leadership. "
If you had visited Mitt Romney’s transition web page on the election night, you might have seen those words. An objective look at it would reveal all the article mistakes and its parallelisms that might be traumatic experience to some. However, grammatical point aside, that website shows American people the arrogance and egocentric nature of Mitt Romney. No presidential candidate in history had the confidence as much as Mitt Romney. He spent $25,000 on fireworks placed at Boston Convent in Center so after he would make his victory speech, he would go out and see, along with his wife and family, fireworks focused on the colors blue, red and white. Seemingly patriotic fireworks must have been a suitable way to begin his new stint as the President of the United States. Instead, he had to deliver a concession speech, a speech that he did not prepare for. Mitt Romney only wrote the victory speech. He thought that he would win, but he was wrong. Very wrong.
The 16-month long campaign to the White House was possibly the dirtiest one in recent years. The television ads were attacking Romney on his business records during his time at Bain Capital. In another ad, President Barack Obama was described as an “outsourcer-in-chief”. And after months of political bickering, on November 6th, ordinary American voters came out of their houses and voted Obama as their president.
 Yet, Mitt Romney had possibly everything to become the 45th president of the United States of America, but he blew his chance. His disastrous campaign will be a good reference to any other future candidate on what it takes to become the commander-in-chief.
First of all, Mitt Romney needed an image. The primary election was political group-suicide for Republicans. It was essentially a battle between Romney and the other guys. Romney, during his run for the governor of Massachusetts, made comments that did not satisfy the Tea Party Republicans. For example, he advocated abortion. Also, he proposed the Romneycare, a government-run healthcare system that is the prototype of Obamacare. His actions were used by various candidates to paint Romney as a moderate, wishy-washy opportunist with a lot of money. The rule of thumb in American politics is that it is not good to be recognized as a rich guy, since other people will envy and hate you. The hostility towards Romney approached its apex when another candidate Newt Gingrich made negative documentary called “the King of Bain.” A collection of interviews from workers who lost their job because of Bain Capital, it was not actually true, but convincing enough to spread the image of Romney’s sinister ego. The Republican Party knew that Romney did not possess the qualities needed to defeat Obama. Senator Rick Santorum, during his run for Republican nominee, said that any other candidate could win against Obama, even Rick “Oops” Perry. Romney, on the other hand, could not. To counter these malicious comments, Romney had to aim to please the hardcore conservatives.
However, after Romney secured his role as the Republican nominee, he needed to lean more towards central ideas, in order to get the votes from the independents. Unless Donald Trump or Sarah Palin came into the election as a third-party candidate, it was sure that the conservatives would pick Romney over Barack, though with less intensity and interest. It was obvious that he would hold a firm grip within Republican mainstream voters; after all, he was the only eligible candidate. The Romney campaign started to be friendlier to the Latino and black voters, willing to show that Romney actually cared for minorities as well, and that he actually is not a white rich guy caring only for white rich guys.
That’s where the second reason comes in. His image-making campaign proved to be a futile effort as it started to run out of money. No kidding. Mitt Romney is the richest man ever to run for president, even if you consider inflation. And that guy needed money bad. Although political pundits and comedians have made fun of Romney’s fortune for the last few months, Romney’s campaign spent so much money in the Republican primary election that during the battle between Barack Obama, Romney could not get his point made. For example, Obama also attacked Romney on his actions at Bain Capital. This time, under the assistance from a former Bain executive Bob White, the Romney campaign team made an effective documentary delineating the benefits that various workers and business owners had under the so-called “Mitt Romney” business strategy: firing and rehiring. The documentary was convincing enough to shut that argument down for good. It was only that they had no money to air it. Team Romney used social media and internet to promote their documentary, but nobody watched it, and the argument against Romney raged on.
Lack of funds inhibited Romney’s campaign trail, as he had to visit states like California and New York to host a fundraiser. California is without doubt the most liberal state in America, with more percentage of registered Democrats than any other states. New York City might have Wall Street bankers and businessmen, but New York State is mostly under Democrats’ control as well. In a nutshell, Romney raised money but he wasted valuable time that could have been used in swing states like Ohio. Actually, his fund raising rallies aimed to help Romney win the election did the opposite. It was during a private fundraiser event in Florida that Romney made that “47-percent” remark.
The final blow to Romney occurred as he tried to flip the tide through the televised debates. At Romney’s Vermont estate, a panel of debate experts gathered and trained Romney on the basic rules of presidential debating. They told him to keep his answer under 2 minutes, get the facts straight, and always be confident. The training seemed to have worked as Romney crushed Obama in the first debate. The president was virtually unprepared. However, Team Obama struck back in the next few rounds, with Vice President Joe Biden being more aggressive than ever. During the second and third debates, Obama gained the upper hand as he had both the rhetoric and humor to undermine Mitt Romney. Romney was unprepared in the second one and nervous on the third one.
With the polls being neck and neck, Romney needed to reinvent himself. It looks like he failed, for good.

The Survival Of Expresso: Old Media VS New Media

The Survival of Expresso: Old Media VS New Media
By Sandra Ha



The battle between old and new media is now in action. Starting from the advent of search engines before the 21st century, everybody saw this battle coming. Internationally, there is a fierce ongoing dispute between newspapers and Google. According to the newspaper industry, Google is literally taking over the news. On the contrary, officials of Google assert that Google’s existence helps the old media to at least maintain its remaining readership. With new strategies implemented, this war is heading toward the next battlefield which will result in much more causalities once it goes wrong.

Everything started when Rupert Murdoch, a media mogul who is the CEO of News Corporation, pulled his newspapers from Google’s search results in 2010. He claimed that the headline and two line excerpts summarizing print articles on the front page of Google News were causing less and less people to actually click the links to read the entire article. If you go into the front page of Google News, there are headlines that pretty much give a good idea of what the news will be about. The site even provides two line summaries which make it even less likely that people will want to click to see the real details. Mr. Murdoch accused Google News of damaging media’s way of generating revenue from online advertisements and required payments for having its news articles in the search results. Google’s rejection of this proposal led Mr. Murdoch to withdraw his newspapers from Google search results.

This decision, surprisingly, negatively influenced his news industry because most of the viewers, in fact, search Google to get into most of the news sources. If newspapers from Mr. Murdoch’s empire do not show up in the search results, people simply go to other newspapers that were available.  Therefore, in September, Mr. Murdoch decided to provide headlines and excerpts to Google News again—returning back to the previous state.   

The Second Media War

Although the first war between newspapers and Google ended in favor of Google, the second war seems to be a neck-and-neck match. The war is no longer national, but spreading out to be a multinational one. In Germany, politicians are proposing a bill that guarantees copyright protection to excerpts of newspaper articles exposed in search engines’ results, allowing publishers to gather payment from the related search engines. This bill is also being discussed in Italy, France, Austria, and Switzerland as well. It will go through full-scale discussions from this month and could be implemented in as early as next morning. In France, President Francois Hollande directly addressed Eric Schmidt, the executive chairman of Google, warning that if Google did not meet the compensation demands of French newspapers, the French National Assembly could pass a law similar to the German one. In order to reclaim their declining dominance, newspapers are literally joining forces to establish a collective society.

Some newspapers have been successful in this battle. In Belgium, a chain of newspapers filed a lawsuit against Google for news copyright infringement and won after a long battle. Google has announced that the company will appeal immediately after the verdict, but it is highly probable that the company will have to compensate the damages. Outside of Europe, Brazilian newspapers withdrew their articles from Google News. By developing other ways to access to the news articles, Brazilian newspapers have not suffered from any palpable damages – online hits only decreased by 5%.

Responding to fierce attacks of these newly joined alliances, team Google is attacking in its own way. The typical Google strategy is simply not posting newspaper articles in the search results when the newspapers demand such payments. This action significantly decreases the revenue of online advertisements because less people are likely to access to the news websites. That was how Google silenced a number of newspaper companies in the past years. Simple statistics are also on Google’s side. Google leads 4 billion clicks to news websites per month–about 75% of Google News readers click in to read the full article in the actual websites. Therefore, Google claims that its very existence is helping the sustenance of newspapers.

What is the point of the War anyway?

Exactly, where is the war going toward? Even though, hypothetically, Google meets all of the compensations demanded by the newspapers, the cause of their ever-shrinking revenue is not because of Google. In France, the $1.54 billion government subsidies awarded to media companies are not helping any single national newspaper to go out of deficit. In 2011, global newspaper advertising revenue barely reached $76 billion, a 41% decrease since 2007. In this trend, online advertising is not even close to the right solution. Many of the online advertisements are not profitable as printed advertisements, as they remain undefended to ad-blocking software. In spite of the rigorous increase in online advertisements, online ads only amounted to 2.2% of newspapers’ advertising revenues last year. Google cannot be the sole cause of this decline.
Maybe it is time to accept the simple truth: old media needs some CPR.

How about Expresso?

Expresso is definitely in the same boat as print media, but it has a different nemesis: Facebook. As a GLP newspaper, Expresso not only provides a succinct outlook of GLP life, but also delineates important issues happening around the world. However, it seems like Facebook is serving the same role for a lot of students. Sometimes, the paparazzi photos in the newspaper were found on Facebook before the issue was published. Sometimes, the events described in articles were vigorously discussed much before on someone else’s wall. Sometimes, the print media seems to be so obsolete compared to other top-notched technologies that are updated the moment you scroll the bar with your finger.

Expresso is not a revenue generating newspaper–we write and we pay, so advertisements or subscription fees are far from the real issue. Our paper’s objective is to provide your news, providing an outlook of a life that all of the GLP students know and experience. Thus, it is crucial that this newspaper continues to be relatable and riveting at the same time. The biggest difference Expresso has from all of the new media outlets is that we strive to provide the best conversation that could happen inside GLP. Reporters spend their entire weekend working on articles that show their fields of interests and also gather details to provide the best overview of GLP events. This is why there is even a movement in domestic class modeling Expresso to publish a Kuknaeban newspaper. As a print media, Expresso is finding its own way to coexist with the influx of new media. This is why Expresso survived well and will survive for a very long time.

Music Manufactured

Music Manufactured
By Daniel Tahyun Lee



Flame throwers on the stage roar fiercely as the music in the amps blast with a heavy beat. Figures dressed in shiny black nylon tights and leather boots start dancing. Sugary melodies flow out from their mouths, a bit too perfectly. Every move strikes to a certain rhythm, calculated. The millions of fans roar with applause. The K- Pop industry declares victory in this concert hall. Little does the crowd see that the spectacle in front of their eyes is a product of heavy industrialism and bloody competition. Following the recent international breakthrough of K- Pop, the Korean music industry is now identified through the pop sensation itself. Yet the genre saturating the industry is not a healthy signal.

In order for an artist to partake as a musician, two parts are incorporated in the process: production and distribution. In an ideal record making process, production is executed by mainly artists themselves. The artist is in responsibility of the general creative direction of a record. Apart from the production process, the distribution is a phase that is usually carried out by record labels. Thus, the conventional idea of making music was the musician making music and the record label selling it. Though artists such as or Arctic Monkey have shown their own spins on this process (being much more hands on in the distribution process), they succeeded in sustaining the quality of their music. The problem arises when the distribution engulfs the intent of the production.

In its nature, music that falls into the category of K-Pop always involves a giant entertainment corporation behind the curtain. As entertainment mogul Park Jin Young proudly said: “We don’t consider ourselves confined to the music we make. We believe that were showcasing the person as the product.” With all the young boys and girls, and fancy dance moves, it is no doubt that K-Pop is about marketing the person. The question is whether the music they put out actually has anything to do with that person. In most occasions, the answer is no. 

As a matter of fact, the majority stars of K Pop all follow a certain process of manufacturing. It all starts with a large corporation’s board, planning a new product. When the theme and marketing strategy of the group is decided, the recruitment begins. The corporation selects from a pool of “trainees”, or candidates that have gone through boot camps and facial modifications. Once the team is put together, songs are bought from major song writers and the dance routines are choreographed. After months of practice, the first “mini album” is released, and an artist is shown to the world.

Notice how the artist is nothing more than a portrayal of the music they are given. The focus indeed shifts from the music to the person. All of this happens, while a majority of artists have no contact with creative input whatsoever. Music is no longer “music” but a decomposition of song writers, dancers, stylists and artists. Fundamentally, it is music designed to treat the comprehensive need of the mass.
Let’s take a look at an equally competitive but fundamentally different place: the American music industry. With the exception of similarly produced “idol stars”, the American way of succeeding as an artist is individual struggle. An artist starts alone at first, sometimes independent or signed to a smaller indie. The artist begins to expand upon a local fanbase. After being singled out by a music authority, the artist will be able to play as an opening act for other, popular bands. In time, the artist achieves independence and receives a record deal to play his or her music. One of the most prominent criticisms that come after these deals is that the artist has become a “sell out”:. Yet in K-Pop, the production begins with being a sell-out. The ripple effect begins when this sort of music begins to choke other genres of less industrial music with its superior marketing and capitol. K-Pop has gradually become the very definition of Korean contemporary music. The spotlights of each genre of rock, electronic, alternative, hip-hop and jazz turn off as K-Pop thrones in mainstream music.

The next step K Pop is to strive toward is becoming a genre of music in which artists actually contribute creative input in the process of production. The artist’s creativity, not the corporation’s business plans, should be the main dish. The sole purpose of K-Pop is not to sell, but to set a certain ideal in music. Hopefully, artists will learn to differentiate their music and learn to not be confined by the industrial boundaries of K-Pop. It starts with the first step: adopting a critical approach to the music we hear. It starts with ordinary listeners understanding that most of the music on the charts, are not there because of the music.